Interview with Josh Moore - Keyboard/Organist for Caedmon's Call
MBC: What is your most embarrassing moment since you've been with
the band?
JM: I have a lot of them
many an embarrassing moment. One that
has gotten told over and over is that while we were on the road
one day I bought a new pair of really cool, nice, expensive shoes
and that night we went bowling and I walked out with the bowling
shoes on accident and left my brand new shoes and the bus took off
and I never saw them again. They were pretty dumpy bowling shoes
and they were the only shoes I had for about three months for the
rest of the tour. For some reason the band got a kick out of the
fact that I did it the same day I bought the shoes.
MBC: What's in your CD player right now?
JM: I'm listening to the new Elton John record, I'm still in a Radiohead
phase right now, there's a couple of local Nashville bands I'm listening
to; Matthew J, who is unbelievable, Rufus Wainright
I have
a pretty varied taste.
MBC: Any lucky charms?
JM: A couple things I like to have in my bunk
this furry Neanderthal
guy who when you play music he
I don't know I've had it in
my room since I was like five - it came with me to college, goes
in the bunk. Also, I hardly pull it out of my pocket during the
day but I carry a picture of my girlfriend with me.
MBC: If you could be any Wizard of Oz character, who would you
be?
JM: Gonna have to say, uh, wow
probably Toto - I could get
really philosophical here - but I'll just say Toto
let your
imagination wander.
MBC: Do you have any conspiracy theories?
JM: I believe that all politicians are robots.
MBC: How old are you?
JM: 19
MBC: And how long have you been with Caedmon's?
JM: I've been playing with them for 4 years and touring for 3. I
knew who they were, listened to them a fair amount, and was aware
of what they were doing. I had a lot of respect for them and decided
that if I was going to play in a band that it would be someone like
Caedmon's that had a good loyal fan base and played good music and
didn't let a record label tell them what to do.
MBC: Your newest album has a definite shift to a worship focus
what
is your definition of worship - what should it be and what should
it not be?
JM: Worship is just like love in the English language - it's just
one word for what has many forms. Basically, there is the act of
worship which I consider to be universal - every part of life is
some form of worship. Someone asked Rich Mullins one time what worship
is and he said walking outside and seeing a flower and saying "What
a beautiful piece of creation" is more an act of worship than
putting in a worship CD in your car and singing your head off. That's
more emotional and has more to do with the music.
Everything we do should be a form of worship - that's the intrinsic nature of our existence, to worship God - I should say that we glorify God and they're two distinct things. There's worship in the sense of an expression of an art form, but worship in the true sense of the word by Biblical mandate starts in the church and starts with a body of believers - it's not you sitting on your bed listening to a worship CD. We made these songs to hopefully get people into church, get (the songs) into the hymnal, get people singing them in mass gatherings and not just in the car. It's the focus of the nature of worship.
MBC: Has this change in focus been reflected in the concerts and
the audience response?
JM: After the record came out we changed the gist of our show to
make it more of a worship setting which was interesting and definitely
changed the way people perceived the show. It made people not as
focused on the spectacle or being entertained and it was great,
we loved it. We had mentors and pastors and people who disciple
us come out and speak for 20-30 minutes between sets. It was a wonderful
concert atmosphere.
MBC: So it kind of became less of a "show"?
JM: Right, but at the same time we made it very clear that things
like our concerts should not take the place of the church; it is
a blessing as a body of believers to get together and do that but
all the while we were stressing the importance of getting the church
involved. Every day when we'd get up we'd have lunch with youth
pastors and worship leaders and church leaders in the area and talk
to them and say, "Here's the need; how can we help and what
can we do for you," and just dialogue with them and it was
a really great experience.
MBC: Do you have a favorite song?
JM: Hmmm
(grins) I like my songs the best. No, I'm joking.
There's a tune on the record called Laden With Guilt - it's
a reworked old hymn and when we were first talking about putting
it on I was kind of hesitant because it's almost a depressing song.
It's a lamentation, a confessional song, a very broken song, and
I was like, "How is this a worship song?" But the more
we delved into the lyrics and got further into the recording process
I realized that a song like that can be the most pure and correct
form of worship.
The point of worship is to separate ourselves from God; to say, "You are God and we are man." Just as much as you exemplify God's divine and wonderful attributes in worship you should magnify the depravity of man. That can be an act of worship because of the separation between God and man. So the more I listened to it, it's so wonderfully repentant and amazing and that kind of sentiment is just as much - if not more - an act of worship than some big, confident "we praise you, we exalt you" type vibe.
A guy named David Wells did a survey of 1,000 hymns vs. 1,000 modern worship choruses. 10 percent of the pronouns in the hymns were "I" and the other 90 percent were "you" or "we." In the praise choruses of the 80's and 90's, about 70 percent were "I" and the rest were "you" or "we." It's interesting to see what the focus is. This is definitely the self-help generation - how does worship help me, how does it impact me, what has God done for me - and that's what we're trying to break down.
MBC: So you're bringing the focus back to God?
JM: We try to approach it with as much humility as we possibly can
but it is very important to us. I'm sure in the long run our motives
aren't pure at all but for the time being we feel called to do that.
MBC: Do you have any advice for students who are feeling led into
music but are intimidated by the largeness of the industry?
JM: First, one must make the distinction between the ministry and
the business - separation of church and state. Understand one before
the other. Understand what your responsibilities as a minister or
evangelist are before you start undertaking the overwhelming responsibility
of trying to make it in the music business or any type of other
business for that matter. They are not mutually exclusive but they
don't go hand- in-hand either. Also I would say to anyone who is
going to do anything for a living in ministry or evangelism (and
I continually try to learn this myself) is to daily do whatever
it takes to come to realize that they are nothing without Christ
and nothing without the gospel. And that anything else outside of
Christ is flawed and destructive. Anything of man is flawed and
will ultimately lead to destruction. I think once you figure that
out, you're not necessarily in for a smooth ride, but you won't
be fooling yourself.
MBC: Is there any one thing that stands out that God has been teaching
you lately?
JM: I've been struggling with this lately - I have to daily repent
of my good deeds as well as my bad deeds because they're all just
equally as helpless. It's been interesting in my pursuit of my girlfriend,
what God is teaching me about His will and grace and the ability
to make choices and live your life with the understanding that even
though it seems like we are making decisions we're not. We are completely
acting inside the will of God. That is very sobering and hard to
grasp and instead of constantly worrying if I'm sinning, Sandra
McCracken, Derek's wife has this amazing quote - she said that being
a Christian is not about how little you sin, it's about how much
you repent. As long as we have a heart for repentance and confession
and are constantly seeking the hand and the face of God we are able
to make our decisions and not be afraid.
MBC: Having that freedom in Christ is wonderful.
JM: It is, because we are not going to be able to understand the
symmetry of how it works that our decisions are totally mandated
by God but we can't sit around and spend our entire lives waiting
for signs or nature. I've been reading Corinthians and Paul says
to live your life. If a man wants to do it, then do it; he is not
sinning, let him live his life. That is so liberating to me, instead
of being crushed under legalism, it is wonderful to just be able
to live your life.
MBC: Explain the story behind the name of the band.
JM: Caedmon was a monk in the seventh century and was part of an
order of monks that basically would sit around the dinner table
- they would be silent all day but at night they would bring out
harps and lyres and sing praise songs. Well, Caedmon didn't have
any musical talent so he would pass the harp or lyre. One night,
I believe it was in a barn or a stable or something, he was called
in a vision by God to sing and God gave him these songs and Caedmon
wrote about the vision and the songs just flowing from him. Those
songs are actually direct English translations of scriptures, which
were only in Latin at the time so the first words of the Bible ever
heard in English were through Caedmon's songs. When the band was
getting together Danielle was in high school, Cliff was a freshman
in college and Aaron Tate, another guy who used to be in the band,
all heard about Caedmon in the same week.
MBC: Do you feel like you can relate to Caedmon in your own life?
JM: I think it's hard for us to be susceptible to the voice of God
in that intense manner in the society we live. If we were able to
be quiet and still our hearts all day, every day and really just
spend every second of the day meditating
Monks are so in tune
with their mind that they know when they wake up whether they inhale
or exhale and that's totally impossible for us. If we were able
to get to a place like that, we would be able to hear the voice
of God more clearly. I believe that God works in subtle ways and
I'm constantly looking for guidance. I think the fact that we're
out here making it happen, making music is very much something that
God has called us to do and will continue to bless us for as long
as He thinks we have something to accomplish.
MBC: How do you stay focused creatively and personally?
JM: I don't have a really big attention span, especially from a
creative standpoint. Whenever I'm home I'm in the studio producing
something and that's what keeps me excited about music and creativity
and life in general is doing something new every day creatively
- recording something new that's never been done. Here you do the
same songs every night and you can go through the motions but it's
different people every night, different environments - the difficult
thing is not getting lonely when you have relationships with people
and you're on the road.
MBC: Where is your hometown?
JM: I live in Nashville but I'm from Houston originally.
MBC: Do you have a lot of time before/after concerts to mingle
and chat with fans?
JM: We made a decision a long time ago to talk to anyone who wants
to talk. We walk around after concerts and pack up our own gear
so if anyone wants to stay they can just yell at us.
MBC: It's a nice change because a lot of bands are somewhat inaccessible.
JM: We wouldn't be here if that were the case because we aren't
interesting enough of a live band to have pulled it off without
that community and accessibility. I think people like to be able
to watch a show and not see the band walk off stage and get in the
bus and drive away. We'll talk to people till four o clock in the
morning if necessary.
MBC: What is your favorite experience with Caedmon's Call?
JM: I've been a part of some pretty incredible things. Any time
someone tells me our music has impacted, helped, or encouraged them.
that's about as good as it gets. It doesn't matter if we're playing
for a thousand people or ten
if anyone tells us that we've
impacted them in a big way or small way that's as good as it gets
for me.